About / Elsewhere Index

Independent in position. International in conversation.

Elsewhere Index is an independent platform for art criticism and research, founded in China in 2025. It was created to make space for sustained, well-researched writing on contemporary art—and to bring local knowledge into conversation with international practices.

We publish criticism, exhibition notes, conversations and a regularly updated index of what is happening now. Our coverage moves between artist-run spaces, galleries, public institutions and temporary projects, with particular attention to work that might sit outside the most familiar centres of visibility.

Our point of view is shaped by China, but it is neither nationally bounded nor presented as a theme. It is a position from which to ask how artworks travel, how meanings shift across contexts, and what different places allow us to notice.

Criticism begins with a position, but it should remain open to being changed by what it encounters.

Each edition gathers a focused group of texts alongside a dated exhibition index. Through clear authorship, publication dates, source notes and a permanent archive, Elsewhere aims to build a reliable public record of independent editorial work over time.

We welcome contact from artists, curators, researchers, writers and independent spaces working across different geographies.

With curiosity,
Aili Xu
Founding Editor, Elsewhere Index

Founding editor

Aili Xu

Aili Xu is a Chinese art researcher, independent scholar and critic born in the 1970s. Her perspective has developed through many years of independent research, writing, cultural volunteering and community-based experience.

Her work moves between rural communities, cities and international exhibitions. She is interested in how art is shaped by place, how local knowledge enters wider conversations, and how independent criticism can connect practices without flattening their differences.

Aili approaches criticism as a long-term practice of listening, reading and looking. Her writing values context over trend, precise language over authority, and lived experience alongside formal research.

Editorial contributor

Fan Su

Fan Su is a Chinese independent ink artist and critic, and a member of the Guangdong Women Calligraphers Association.

Her practice and writing bring sustained attention to contemporary ink, calligraphy and the changing relationship between inherited forms and present-day artistic life.

How we work

Editorial principles

I

Research carefully

We distinguish verified information, editorial interpretation and first-hand reporting.

II

Write clearly

We value precise language over unnecessary jargon or promotional claims.

III

Stay independent

Coverage is selected editorially. Relevant relationships and sources are disclosed.

Artists, writers, researchers and spaces are welcome to introduce their work.

Contact the editorial desk ↗